Role of Visual Culture in the Contemporary Cultural Diversity Research Proposal

quality of visual Culture in the Contemporary Cultural Diversity - Research Proposal ExampleIn their articles, Mirzoeff, Ruby, Sturken, and Cartwright fence in despite being instrumental in globalization, the impact of optic polish in the preoccupation of cultural vicissitude is still debatable. Therefore, there is need to conduct a research that answers the following questions 1. What is opthalmic civilization in the context of classical and coeval cultural diversity? 2. How has visual culture intensify globalization? 3. Has globalization changed the contemporary perspectives of cultural diversity? 4. Has visual culture enhanced assimilation of contemporary cultural diversity? Literature Review Different authors and scholars have had vary views on the role of visual culture within the multi-cultural society in the contemporary world. In both his works, Mirzoeff (An Introduction 3 Visual Culture 4) plead that visual culture depends of the circumstances under which variou s images are made and this may not have a significant impact in changing the perceptions of the viewers in relation back to accepting and assimilating cultural diversity. Ruby (1345) also adds that stakeholders in the visual culture are exclusively concerned with the personal interpretation of the image presented. Consequently, the viewers are likely to have varied perceptions specially given the negative and positive feelings created by the image thereby acting differently as in the example of the fetish (Fusco 368). This explains why some countries or regions would censor images to avoid the negative feelings and interpretations (Sturken and Cartwright 390). The desire of having varied feelings brings about the idea that regions and people are different and so are people. This has only worsened the postal service in the assimilation of cultural diversity perspectives especially in the contemporary world. Another argument by varied authors and scholars on the impact or role o f visual culture towards enhancing assimilation of cultural diversity is the idea of individualism. There are studies proposing that instead of inspiring communalism and acceptance of the diversity in culture, visual culture has actually inspired individualism based on the magnification of contrasts that exist between regions or people. Sturken and Cartwright (389) argue that there has been an increase flow of foreign ideas courtesy of globalization. Such ideas tend to bring hot information, new perception, and create more contrasts, which only allow to the acceptance that regions and people can never be passable (Mitchell 298). However, Mirzoeff (An Introduction 3) argues that despite the liberty of receivers to interpret the images in relation to cultural diversity, the receivers have continuously see the images negatively and this invokes the idea that no regions or people can ever be equal. Ruby (1345) discusses the breastwork of visual culture to enhancing assimilation of culture diversity on the on the basis of impact of authentic culture in the lives of people. The current culture has had significant impacts on the lives of people with reference to the cultures of the other people. This creates the idea of differences between various cultures. In addition, there has been an increasing tendency to fool comparison and contrast, which only lead to the widening of the gap between different cultures. Consequently, it becomes difficult for the viewers or receivers to interpret visual culture on a neutral ground. The lack of neutrality continues to widen the gap between various cultures, which make visual culture to be a barrier in the assimilation of cultural diversities. Nevertheless, Rose (25) and Dikovistskaya (71) argue that through visual culture viewers and receivers have been